<div dir="ltr">Hickman's Hey is one I've had local dancers request. I see from Martha's post that it's credited to Dan Pearl - it came to me as "unknown author."<div><br></div><div>Below are a couple of mine that fit the bill - one well proven and one yet to be.</div><div><br></div><div>-Don<br><div><br></div><div><h1 class="entry-title" style="background:rgb(255,255,255);border:0px;margin:0px;padding:0px;vertical-align:baseline;clear:both;font-weight:bold;color:rgb(0,0,0);line-height:1.3em;font-size:21px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial"><font face="arial, helvetica, sans-serif">(Riding in the) Zoomy Car – DI – Don Veino 20170717</font></h1><div class="entry-meta" style="background:rgb(255,255,255);border:0px;margin:0px;padding:0px;vertical-align:baseline;color:rgb(119,119,119);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;color:rgb(51,51,51);border:0px;margin:0px;padding:0px;vertical-align:baseline">Status:</strong><span style="background-color:transparent;color:rgb(51,51,51)"> </span><span style="background-color:transparent;color:rgb(51,51,51)">Proven</span></font></div><div class="entry-content" style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;border:0px;margin:0px;padding:12px 0px 0px;vertical-align:baseline;clear:both;text-decoration-style:initial;text-decoration-color:initial"><p style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><span style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline"><b style="color:rgb(51,51,51)">A1</b><font color="#333333"><b><br></b></font></span><span style="color:rgb(34,34,34);font-weight:400">Long Lines Forward & Back<br></span>1s Half Figure 8 down through 2s (around same role and above to center of line/4 facing down, L2,L1,G1,G2)</font></p><p style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">A2</strong><br>Line/4 Down the Hall, bend line<br>2s Half Figure 8 up through 1s (around opposite role and below to center of line/4 facing up)<br>[to G1,L2,G2,L1 from dancer’s perspective (or L1,G2,L2,G1 from stage)]</font></p><p style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">B1</strong><br>Line/4 Up the Hall; Gent 1 lets go, the Twos arch* via Gent doing Left Hand High/Right Low to shoot Lady 1 through to Gent 1<br>Partner Swing<br>[*note Lady 2 continues walking forward during Left High/Right Low move to make space for Lady 1 to pass through straight across and can keep hands directly into the Swing]</font></p><p style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">B2</strong><br>Gents Allem Left 1+1/2x<br>Neighbor Swing</font></p><p style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">End effects</strong>: Be mindful of how your action changes when crossing over at ends<br><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">Tune suggestions</strong>: Marches, strongly phrased romantic tunes</font></p></div><font face="arial, helvetica, sans-serif">Posted at <a href="http://veino.com/blog/?p=1792">http://veino.com/blog/?p=1792</a> .</font><div><font face="arial, helvetica, sans-serif"><br></font></div><div><h1 class="entry-title" style="background:rgb(255,255,255);border:0px;margin:0px;padding:0px;vertical-align:baseline;clear:both;font-weight:bold;color:rgb(0,0,0);line-height:1.3em;font-size:21px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial"><font face="arial, helvetica, sans-serif">Strolling & Rolling – Becket – Don Veino 20170725</font></h1><div class="entry-meta" style="background:rgb(255,255,255);border:0px;margin:0px;padding:0px;vertical-align:baseline;color:rgb(119,119,119);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial"><font face="arial, helvetica, sans-serif" style=""><strong style="background:transparent;color:rgb(51,51,51);border:0px;margin:0px;padding:0px;vertical-align:baseline">Status:</strong><span style="background-color:transparent;color:rgb(51,51,51)"> </span><span style="background-color:transparent;color:rgb(51,51,51)">DRAFT</span></font></div><div class="entry-content" style="background:rgb(255,255,255);border:0px;margin:0px;padding:12px 0px 0px;vertical-align:baseline;clear:both;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial"><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif">This is most likely an intermediate level dance due to the need for timely and slightly differing action in the A2 as well as the need for good dancer technique to make the roll to heys timing work and everyone end up in the right places. Because all the hey action is focused on Partners, the dance should provide effective recovery points that would keep it out of “advanced” territory.</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif">So far this dance has been walked through successfully but not yet called/danced. I’ve since leveraged this roll to hey into a 4 Face 4 dance,<span> </span><a href="http://veino.com/blog/?p=1875" style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;color:rgb(116,51,153)">Lobster Roll</a>, which has been called publicly.</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">A1</strong><br>Left Diagonal Circle 3/4x, Swing Neighbor<br>[first time through, circle is straight across]</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">A2</strong><br>(8) Ladies Chain (to P) to face down the hall (so Courtesy Turn = different fractions for 1s and 2s)<br>(6,2) Down the Hall in Line/4, Gents Roll Partner w/HS (face Partner across set)</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">B1</strong><br>Half Hey (pass P Left to start, end in mirror position of start, facing up, Ladies on<span> </span><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">left</strong><span> </span>of P)<br>(6,2) Up the Hall in Line/4, Gents Roll Partner w/HS (face P across set)</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">B2</strong><br>Half Hey (pass P Right to start, end in mirror position of start, facing P)<br>Partner Swing</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif"><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">End effects</strong>: Wait out on left diagonal to enter in the circle<br><strong style="background:transparent;border:0px;margin:0px;padding:0px;vertical-align:baseline;font-weight:bold">Tune suggestions</strong>: Strongly phrased/driving smooth tunes</font></p><p style="background:transparent;border:0px;margin:0px 0px 24px;padding:0px;vertical-align:baseline"><font face="arial, helvetica, sans-serif" style="">Posted at <a href="http://veino.com/blog/?p=1901">http://veino.com/blog/?p=1901</a> .</font></p></div><br></div></div></div></div><div class="gmail_extra"><br><div class="gmail_quote">On Wed, Apr 4, 2018 at 10:01 PM, K Panton via Callers <span dir="ltr"><<a href="mailto:callers@lists.sharedweight.net" target="_blank">callers@lists.sharedweight.net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">It's been a while since I've danced one of these but I know they exist!<div><br></div><div>1. Line of four goes down the hall.</div><div>2. While there, do something such as 1/2 hey.</div><div>3. Line of 4 comes back up.</div><div><br></div><div>Any suggestions for lovely dances that include such a (or similar) sequence?</div><div><br></div><div>Thanks.</div><div><br></div><div>Ken Panton</div></div>
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