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<p style="margin-top: 0px; margin-bottom: 0px;">A really really GREAT dance by Dan Pearl! Yeah, the "end effects" are mostly created by dancers doing something they weren't instructed to do! Pointing out that the dance is a double progression during the walk
through (to those who are actually listening) is helpful I've found. It gives dancers a better idea where they will end up even if they DO get confused. Admittedly that's a little trickier if you start with a couple waiting out. But in that case, you can at
least note that there will be a couple waiting out at the end each time the dance starts..</p>
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<p style="margin-top: 0px; margin-bottom: 0px;">HNY everyone.</p>
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<p style="margin-top: 0px; margin-bottom: 0px;">bill<br>
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<div id="divRplyFwdMsg" dir="ltr"><font color="#000000" face="Calibri, sans-serif" style="font-size: 11pt;"><b>From:</b> Callers <callers-bounces@lists.sharedweight.net> on behalf of Bob Green via Callers <callers@lists.sharedweight.net><br>
<b>Sent:</b> Thursday, January 4, 2018 11:00 PM<br>
<b>To:</b> Kalia Kliban<br>
<b>Cc:</b> Caller's discussion list<br>
<b>Subject:</b> Re: [Callers] Beneficial Tradition</font>
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<div>I have always thought part of the difficulty is that the ladies momentum is away from each other in that last pull by, leaving them a distance away from each other. On the end there can be some indecision about being in or out. In XYZ (which has a different
set of challenges at the end with the "reverse") the momentum brings the ladies toward each other to start the next round, and makes it a little more obvious when you are out. Those dancing gent can help by giving SUBTLE weith in the correct direction after
the last pull-by.<br>
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(<a href="https://nam01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DgBwjTWK3-4g&data=02%7C01%7C%7C78173d7075454985765608d553c6f5f8%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636507036345154217&sdata=6ukolym%2FQ3mAm52LbDnpp8rud040MizTOtIce48WQMI%3D&reserved=0">https://www.youtube.com/watch?v=gBwjTWK3-4g</a>)<br>
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Happy New Year,<br>
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Bob<br>
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Those of you who have called this dance a lot, have you noticed the same issue? How do you teach the B2-A1 transition to minimize the confusion and end effects?<br>
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Kalia<br>
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ps Happy New Year, everyone!<br>
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