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<div> <font size="3">If I evaluate the crowd of dancers and they require a lot of instruction for a move that they will see once in a evening (like the star promenade) then I get on the floor and do a demonstration. <br>
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<div><font size="3">It is by far better for those learners who have to "see" rather than "hear". Its so much clearer for the dancers to get the choreography with me teaching <u>while</u> demonstrating. <br>
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<div><font size="3">If I've misjudged the crowd and try to teach from the stage and there's confusion, I've found its harder for those dancers to "reset" their brain (since they have already learned it wrong), and perhaps they lost some confidence in me as a teacher.</font></div>
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<div><font size="3">I see less and less Callers teaching/demonstrating from the floor in the dances I attend on regular evenings. And more often it seems that the Callers are relying on the experienced dances to teach the newcomers during the dance, which is a completely different discussion.<br>
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<div style="font-family:arial,helvetica;font-size:10pt;color:black">-----Original Message-----<br>
From: Ron Blechner via Callers <callers@lists.sharedweight.net><br>
To: Dale Wilson <dale.wilson@gmail.com><br>
Cc: callers <callers@lists.sharedweight.net>; Grant Goodyear <grant@grantgoodyear.org><br>
Sent: Tue, Nov 28, 2017 12:30 pm<br>
Subject: Re: [Callers] "pick her up"<br>
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<div dir="auto">Thanks for all of the perspectives, so far.
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<div dir="auto">It's not necessarily easy to determine if dancers are giving proper weight.</div>
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<div dir="auto">The butterfly whirl is one of those moves especially where bad weight is common, and the move can be really uncomfortable:</div>
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<div dir="auto">- the person coming out of the allemande scoops at the waist, rather than shoulderblades - the arm is below center of mass, and can cause lower back pain. And really, I don't think hands belong on waists in any contra move.</div>
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<div dir="auto">- the person getting scooped up puts hand on top of shoulder / doesn't connect with their arm at all. This is probably the most frequent issue I see / experience dancing. And I believe it's exacerbated by the "gents do the thing to ladies" framing of prompting. And it's why I very much agree with those who've replied emphasizing the use of neighbor/partner.</div>
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<div dir="auto">- as mentioned by others, the person getting scooped not moving forward, and relying on the allemanding person to drag them along. Again, the "gents do the thing to ladies" exacerbates this, in my opinion.</div>
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<div dir="auto">And these above difficulties aren't always easy to spot from the stage.</div>
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<div dir="auto">So I like the "scoop" as a descriptor of the motion, but I am not really sure if it's the best descriptor of the *connection* between dancers and the shared weight. It's probably fine with a clear walk through - I'll often pause and emphasize connecting at shoulderblades and moving together as a unit.</div>
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<div dir="auto">I wish there was something slightly better that worked for both, but all of this discussion has been really good to reevaluate my teaching on these.</div>
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<div dir="auto">Thanks,</div>
<div dir="auto">Ron Blechner</div>
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<div class="aolmail_gmail_quote">On Nov 28, 2017 11:36 AM, "Dale Wilson" <<a target="_blank" rel="noopener noreferrer" href="mailto:dale.wilson@gmail.com">dale.wilson@gmail.com</a>> wrote:<br>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">If the dancers do the right thing (and have fun) when I say the words then I'm calling it correctly.</div>
<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">If the dancers are confused or not having fun, then I am not calling it correctly.</div>
<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">If I can use fewer words to call it correctly then I try to do so.</div>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">Sometimes my words are directed to the active couples, sometimes to the inactives, sometimes to the gents, sometimes to the ladies, and of course sometimes they apply to everybody.</div>
<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">Always they are intended to help the dancers enjoy themselves.</div>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">Getting back to the original question.</div>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">If I were to call "pick up your neighbor" and I observed the people standing still somehow trying to "pick up" the person passing by in the allemande, then I would change the words I use. Until then, I use the words that I "always" use and that the experienced dancers are used to hearing. </div>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">And as for "courtesy turn", those two words are sufficient. There is no need (and usually no time) to mention that one dancer is the turner and the other the turnee.</div>
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<div class="aolmail_gmail_default" style="font-family:georgia,serif;color:#073763">Dale</div>
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<div dir="ltr"><span style="color:rgb(48,54,51);font-family:OpenSans,sans-serif;font-size:16px">There are only two hard things in computer science: cache invalidation, naming things, and off-by-one errors.</span><br>
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