<html><head></head><body><div style="color:#000; background-color:#fff; font-family:Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;font-size:16px"><div id="yui_3_16_0_ym19_1_1500361409464_67681"><span>Hi Judy</span></div><div id="yui_3_16_0_ym19_1_1500361409464_67681"><span><br></span></div><div id="yui_3_16_0_ym19_1_1500361409464_67681" dir="ltr"><span id="yui_3_16_0_ym19_1_1500361409464_67773">I called a couple of contras at a square dance festival here in Australia, and found that I needed to keep calling all the way through, as they were used to calls being varied through the dance, so would stop dancing if I faded out the calling. This may not be common to all codes of square dancing.</span></div><div id="yui_3_16_0_ym19_1_1500361409464_67681" dir="ltr"><span><br></span></div><div id="yui_3_16_0_ym19_1_1500361409464_67681" dir="ltr"><span>cheers</span></div><div id="yui_3_16_0_ym19_1_1500361409464_67681" dir="ltr"><span>Jeanette</span></div><div></div><div id="yui_3_16_0_ym19_1_1500361409464_67837"> </div><div class="signature" id="yui_3_16_0_ym19_1_1500361409464_67680"><div class="MsoNormal" id="yui_3_16_0_ym19_1_1500361409464_67838">Jeanette Mill</div>
<div class="MsoNormal" id="yui_3_16_0_ym19_1_1500361409464_67839">Contra dance caller, musician, workshop facilitator</div><div class="MsoNormal" id="yui_3_16_0_ym19_1_1500361409464_67679">Canberra, Australia</div>
<div class="MsoNormal" id="yui_3_16_0_ym19_1_1500361409464_67840">Phone: +61 (0)449 686 077</div>
<div class="MsoNormal">Email: <a rel="nofollow" target="_blank" href="mailto:jeanette_mill@yahoo.com.au">jeanette_mill@yahoo.com.au</a></div>
<div class="MsoNormal">Skype: jeanette.mill</div>
<div class="MsoNormal"> </div>
<div class="MsoNormal"><span style="font-family:'Helvetica Neue';background-color:white;">"The piano - 88 little mistakes waiting to happen"
Kate Barnes</span><span style="font-size:10.0pt;font-family:Times;"></span></div>
<div class="MsoNormal"> </div></div> <div class="qtdSeparateBR"><br><br></div><div class="yahoo_quoted" style="display: block;"> <div style="font-family: Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 16px;"> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, Sans-Serif; font-size: 16px;"> <div dir="ltr"><font size="2" face="Arial"> On Wednesday, 19 July 2017, 12:28, Judy Greenhill via Callers <callers@lists.sharedweight.net> wrote:<br></font></div> <br><br> <div class="y_msg_container"><div id="yiv9539423143"><style><!--
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--></style><div><div class="yiv9539423143WordSection1"><div class="yiv9539423143MsoNormal">Hi everyone,</div><div class="yiv9539423143MsoNormal">I have undertaken to teach some modern square dancers how to contra dance, and I’m wondering if anyone has experience with this and has any dances to recommend? I’m a square dancer myself but most of my contra repertoire is for modern contra dancers- 2 swings, lots of Balance and swing, etc. I’d like more dances with MWSD moves in them and possibly without any, or only 1, swing, and they don’t need to have a partner swing. The dancers I am teaching are all either plus or advanced, so they will tire pretty quickly of the usual simple glossary contras I would normally do in a teaching situation. They can do the moves; it’s the formation that is new to them.</div><div class="yiv9539423143MsoNormal"> </div><div class="yiv9539423143MsoNormal">Thanks,</div><div class="yiv9539423143MsoNormal">Judy</div><div class="yiv9539423143MsoNormal"> </div></div><div id="yiv9539423143DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2"><br>
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