<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">David, you're thinking of Stretching the Limits (men chain version) and Stretching the LImits (women chain version). <div><br></div><div>You're very creative, thinking of switching each time. A caller, Will Martin has come up with that very idea. The progression is in the same direction and has half heys instead of full heys. He calls his version Stretching the Limits of Truth. I probably won't be able to find my copy and will ask him for his. I doubt it's every been called although it works on paper!</div><div><br></div><div>Tom<br><div><div>On Mar 26, 2017, at 10:26 PM, David Harding via Callers wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite"><p>Here's something I envisioned last fall and have been meaning to post for comment. There were conversations here about gents chains and about balancing the activity levels of ladies and gents. At Squirrel Moon Weekend, Tom Hinds called a dance whose details I don't remember, except that it started with a gents chain across from Becket formation, followed by gents chain on the right diagonal (I think). About 2/3 of the way through the dance, he switched to start with a ladies chain across and then on the left diagonal. It was dramatic how different the two versions of the dance felt. That got me to thinking, why not switch each time through to symmetrize the dance, the way modern dances with contra corners often do? Perhaps that's sufficiently disorienting to be cutting edge. <br> </p><p>I have not had the occasion to call this, but would be happy to hear if anyone thinks it's worth giving a try. I haven't thought through the teaching, but imagine that for a group that could handle it, two walk-throughs would be useful. <br> </p><p>The working title is "Both Sides" <br> Becket</p><p>A1 Gents allemande 1 1/2; Neighbor swing<br> A2 Long lines forward and back; Gents chain, courtesy turn<br> B1 Gents left shoulder full hey<br> B2 Partner balance and swing</p><p>Alternate with<br> A1 Ladies allemande right 1 1/2; Neighbor swing<br> A2 Long lines; Ladies chain, courtesy trun<br> B1 Ladies right shoulder full hey<br> B2 Partner balance and swing<br> </p><p>Dave Harding<br> </p> <br> <div class="moz-cite-prefix">On 3/26/2017 8:26 PM, Maia McCormick via Callers wrote:<br> </div> <blockquote cite="mid:CAHUcZGPtZDbsacoWgaXknNbzmi7aHMet3TW-azUv-=R9BzkZZA@mail.gmail.com" type="cite"> <div dir="ltr">Hi choreographer folks, <div><br> </div> <div>I'm leading a session at NEFFA called "Cutting-Edge Contras", consisting of un-premiered (or very sparsely called) contras. If anyone has any dances they'd like to throw my way for consideration, please do so!</div> <div><br> </div> <div>Cheers,</div> <div>Maia</div> </div> <br> <fieldset class="mimeAttachmentHeader"></fieldset> <br> <pre wrap="">_______________________________________________
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