<div dir="auto">I know I'd appreciate it if people had new suggestions, they'd review existing considerations for what makes terms usable. Things like 1:2 syllable ratio, distinct vowel sounds - these disqualify a lot of terms as being unfeasible for the same reason "bare arms / arm bands" as terms are not preferable. The PDF spreadsheet that Dugan linked is the result of my study with teamwork and sourcing from many dancers.<div dir="auto"><br></div><div dir="auto">Best,</div><div dir="auto">Ron Blechner</div></div><div class="gmail_extra"><br><div class="gmail_quote">On Jan 20, 2017 7:28 PM, "Keith Tuxhorn via Callers" <<a href="mailto:callers@lists.sharedweight.net">callers@lists.sharedweight.net</a>> wrote:<br type="attribution"><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">This conversation exhausts me, even though I know and accept it's all part of the folk process.<div><br></div><div>So I will make my one contribution... two terms I thought of a couple weeks ago.</div><div><br></div><div>Mun and Wem.</div><div><br></div><div>They sound enough like the current terms that the brains of both callers and dancers can make an easy transition. They're made-up words, so they have no gender. And they're short. And easy to say.</div><div><br></div><div>Mun and Wem.</div><div><br></div><div>Okay, I've done my bit.</div><div><br></div><div>Keith Tuxhorn</div><div>Springfield IL</div></div><div class="gmail_extra"><br><div class="gmail_quote">On Thu, Jan 19, 2017 at 4:04 PM, Dugan Murphy via Callers <span dir="ltr"><<a href="mailto:callers@lists.sharedweight.net" target="_blank">callers@lists.sharedweight.<wbr>net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr"><div class="gmail_extra">Since it was an article about my dance series that started this conversation about role terms, I'll offer that the primary reason we chose "jets" and "rubies" as gender-free terms is so that regular contra dancers from other places can come in and dance without needing anything to be explained to them since the terms are pretty similar to "gents" and "ladies." </div><div class="gmail_extra"><br></div><div class="gmail_extra">We also took a look at this graphic of Ron Blechner's analysis of gender-free role terms people have been talking about: <a href="http://amherstcontra.org/ContraDanceRoleTerms.pdf" target="_blank">http://amherstcontra.or<wbr>g/ContraDanceRoleTerms.pdf</a></div><div class="gmail_extra"><br></div><div class="gmail_extra">We may not use "jets" and "rubies" forever, but we figured we'd give it a try. There didn't seem to be any reasons not to try and there are certainly plenty of reasons to try. </div><div class="gmail_extra"><br></div><div class="gmail_extra">Most men at our dance dance as jets and most women dance as rubies, but for the few who dance opposite, switch around, or whose gender expression doesn't fit the man/woman binary, I'd like to think that formally separating dance roles from gender is validating in a meaningful way.</div><div class="gmail_extra"><div><div class="m_-8139118130369369228m_6087777029453958360gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><br></div>Dugan Murphy</div><div dir="ltr">Portland, Maine<br>dugan at <a href="http://duganmurphy.com" target="_blank">duganmurphy.com</a><br><div style="display:inline"></div></div><div><a href="http://www.DuganMurphy.com" target="_blank">www.DuganMurphy.com</a></div><div><a href="http://www.PortlandIntownContraDance.com" target="_blank">www.PortlandIntownContraDance.<wbr>com</a></div><div><a href="http://www.NufSed.consulting" target="_blank">www.NufSed.consulting</a></div></div></div></div></div></div></div><br></div></div>
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