<html><head></head><body><div style="color:#000; background-color:#fff; font-family:HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;font-size:12px"><div>One I call frequently is <br></div><div><br></div><div>Jim's Reel by Steve Snurr</div><div><br></div><div id="yui_3_16_0_ym19_1_1484539278729_38087"><br></div><div id="yui_3_16_0_ym19_1_1484539278729_38088">A1 Do Si Di N 1 1/4 ti WL - ladies in center, Rt hand to N</div><div id="yui_3_16_0_ym19_1_1484539278729_38127"> Remember this WL - we will come back to it<br></div><div id="yui_3_16_0_ym19_1_1484539278729_38124"> Bal Line - Trun N by R 1/2 - Gents pull by L</div><div id="yui_3_16_0_ym19_1_1484539278729_38155">A2 B&SW P</div><div id="yui_3_16_0_ym19_1_1484539278729_38168">B1 Down hall 4 steps - turn alone - back up 4 steps</div><div id="yui_3_16_0_ym19_1_1484539278729_38195"> For 4 steps - turn alone back up 4 steps</div><div id="yui_3_16_0_ym19_1_1484539278729_38218">B2 Cir L 5 places until you can collapse to original WL</div><div> Bal (on last 4 beats)</div><div>A1 walk for to new N - as dance starts over</div><div id="yui_3_16_0_ym19_1_1484539278729_38349"><br></div><div id="yui_3_16_0_ym19_1_1484539278729_38350">Great dance</div><div id="yui_3_16_0_ym19_1_1484539278729_38348"><br></div><div dir="ltr" id="yui_3_16_0_ym19_1_1484539278729_38351">Mac McKeever<br></div><div id="yui_3_16_0_ym19_1_1484539278729_38125"><span></span></div><div class="qtdSeparateBR" id="yui_3_16_0_ym19_1_1484539278729_38083"><br><br></div><div class="yahoo_quoted" id="yui_3_16_0_ym19_1_1484539278729_37980" style="display: block;"> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 12px;" id="yui_3_16_0_ym19_1_1484539278729_37979"> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 16px;" id="yui_3_16_0_ym19_1_1484539278729_37978"> <div dir="ltr" id="yui_3_16_0_ym19_1_1484539278729_38020"> <font id="yui_3_16_0_ym19_1_1484539278729_38082" size="2" face="Arial"> <hr id="yui_3_16_0_ym19_1_1484539278729_38167" size="1"> <b><span style="font-weight:bold;">From:</span></b> Tavi Merrill via Callers <callers@lists.sharedweight.net><br> <b><span style="font-weight: bold;">To:</span></b> callers@lists.sharedweight.net <br> <b><span style="font-weight: bold;">Sent:</span></b> Monday, January 16, 2017 4:20 PM<br> <b><span style="font-weight: bold;">Subject:</span></b> [Callers] Contras which feature a "Dublin Bay" figure<br> </font> </div> <div class="y_msg_container" id="yui_3_16_0_ym19_1_1484539278729_37977"><br><div id="yiv8541123431"><div dir="ltr" id="yui_3_16_0_ym19_1_1484539278729_37976"><span style="color:rgb(29,33,41);font-size:14px;" id="yui_3_16_0_ym19_1_1484539278729_37975"><br>Dance genealogy question: The figure first appearing in "Dublin Bay" (aka "We'll Wed and We'll Bed," its title in Playford) morphed in contra into a modified "lines of four down the hall." <br><br>I know a version of it from Sue Rosen's dance "Handsome Young Maids," where dancers facing down take four steps forwards, turn alone, and continue down the hall with four backward steps, then repeat the figure to return up the hall. <br><br>I'm curious how many other contras this figure, or a version of it, appears in. Does anyone know of other dances? And any astute dance historians out there know what the first contra to use this figure is? <br></span><br>Tavi</div></div><br>_______________________________________________<br>Callers mailing list<br><a ymailto="mailto:Callers@lists.sharedweight.net" href="mailto:Callers@lists.sharedweight.net">Callers@lists.sharedweight.net</a><br><a href="http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net" target="_blank">http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net</a><br><br><br></div> </div> </div> </div></div></body></html>