<div dir="auto">Hi,<div dir="auto"><br></div><div dir="auto">I have always used the original version and don't ever recall the dancers having trouble with the DSD progression. While I respect and admire the folks creating variants they find helpful for their needs, for me, if it ain't broke, I'm not going to fix it.</div><div dir="auto"><br></div><div dir="auto">Also, I must say that pleased me greatly to see Maia's reference to my home town of Ann Arbor!!! :)<br><div dir="auto"><br><div class="gmail_extra"><br><div class="gmail_quote">On Dec 16, 2016 4:27 PM, "Maia McCormick via Callers" <<a href="mailto:callers@lists.sharedweight.net">callers@lists.sharedweight.net</a>> wrote:<br type="attribution"><blockquote class="quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir="ltr">Fwiw, if I were to write a variation of 3-33-33 (and wanted to avoid ladies chain/star L), I'd do a figure like in Al Olson's 'Ann Arbor Four': long lines (8), P alle. R 3/4 (4), ladies alle. L 1/2 (4). Agreed that ladies' allemande L out of long lines, while there's no reason it doesn't flow, is bizarrely counterintuitive!</div><div class="elided-text"><div class="gmail_extra"><br><div class="gmail_quote">On Fri, Dec 16, 2016 at 4:18 PM, Bill Olson via Callers <span dir="ltr"><<a href="mailto:callers@lists.sharedweight.net" target="_blank">callers@lists.sharedweight.<wbr>net</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
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<p>Hi Kalia, yep, I agree.. I guess I should have said more about why I preferred the original.. Anyway this is a great dance, a modern classic, and i call it often..</p>
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<p>bill <br>
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<div id="m_511896277644490358m_2849984530947583693x_divRplyFwdMsg" dir="ltr"><font color="#000000" face="Calibri, sans-serif" style="font-size:11pt"><b>From:</b> Callers <<a href="mailto:callers-bounces@lists.sharedweight.net" target="_blank">callers-bounces@lists.sharedw<wbr>eight.net</a>> on behalf of Kalia Kliban via Callers <<a href="mailto:callers@lists.sharedweight.net" target="_blank">callers@lists.sharedweight.ne<wbr>t</a>><br>
<b>Sent:</b> Friday, December 16, 2016 9:05 PM<br>
<b>To:</b> <a href="mailto:callers@lists.sharedweight.net" target="_blank">callers@lists.sharedweight.net</a><br>
<b>Subject:</b> Re: [Callers] Variations of 3-33 by Steve Zakon-Anderson</font>
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<div class="m_511896277644490358m_2849984530947583693PlainText"><div><div class="m_511896277644490358h5">On 12/16/2016 11:48 AM, Bill Olson via Callers wrote:<br>
> 3-33-33<br>
><br>
> Steve Zakon (Duple improper)<br>
> A1 Balance N1, N1 pull by R, N2 pull by L , N3 Balance, box the gnat<br>
> A2 N3 pull by R, N2 pull by L, N1 swing<br>
> B1 Circle L 3/4, Partner Swing<br>
> B2 Long Lines F&B, Ladies dosido 1.5<br>
><br>
> I'm aware of a "fix" to 333 where the W DSD 1.5 at the end of B2 was<br>
> replaced by a W allem L 1.5.. I think I remember talking to Steve about<br>
> this and he referred to this as an "approved alternative" HIMSELF..<br>
<br>
I've both danced and called this alternate ending, and that allemande L <br>
is pretty counterintuitive for the women. It causes some glitches as <br>
folks fight with their natural instinct to allemande R. It works, but <br>
you'll need to be really clear with the dancers that it's the <br>
non-obvious hand there.<br>
<br>
Kalia<br>
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