<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div><span></span></div><div><meta http-equiv="content-type" content="text/html; charset=utf-8"><div>Sorry I meant <font color="#000000"><span style="background-color: rgba(255, 255, 255, 0);">Microclasmic </span></font><span style="background-color: rgba(255, 255, 255, 0);">by Ann Fallon was a triplet with contra corners. </span></div><div><br>Claire Takemori</div><div><br></div><div><br>On Mar 16, 2016, at 10:51 PM, Claire Takemori <<a href="mailto:cht@mac.com">cht@mac.com</a>> wrote:<br><br></div><div><span>Hi everyone. I’m enjoying all the great information that is shared on this list. Thank you! </span><br><span></span><br><span>I’m wondering if you have a favorite Triplet that would work for a very small but experienced contra dance with just 6 dancers left after the break? Ideally more dancing together and less casting down/back, etc…. </span><br><span></span><br><span>I’ve done Ted’s Triplet #5, and they loved the hey for 6. I will call Labor of Love by Kathy Anderson (contra corners) next time. </span><br><span>I have the book of Zesty Contras & Give and Take, but not sure how all of the 33 Triplets work or if they are really fun….. </span><br><span></span><br><span>Grateful for your help! </span><br><span></span><br><span>Claire Takemori (Bay Area, CA) </span></div><div><br><br>Sent from my iPhone</div></div></body></html>