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<body class='hmmessage'><div dir='ltr'>"Roll in the Hey" by Roger Diggle<br> <BR><div>> To: callers@sharedweight.net<br>> Date: Tue, 8 Dec 2015 10:01:52 -0800<br>> Subject: Re: [Callers] Contras with a Hey<br>> From: callers@lists.sharedweight.net<br>> <br>> > *From:* Rich Sbardella via Callers <callers@lists.sharedweight.net><br>> > *To:* Caller's discussion list <callers@sharedweight.net>;<br>> > trad-dance-callers@yahoogroups.com<br>> > *Sent:* Tuesday, December 8, 2015 12:48 PM<br>> > *Subject:* [Callers] Contras with a Hey<br>> ><br>> > Hello Folks,<br>> ><br>> > I am relatively new at calling contras and I am looking for some asy to<br>> > intermediate contras to introduce the hey to a group that includes many<br>> > beginners. and/or club square dancers.<br>> ><br>> > "Butter" by Gene Hubert is my go to dance, but I am looking for a few<br>> > more. I like Butter because the flow from ladies chain into a RH hey is<br>> > great, and because all the other calls are introduced earlier in most<br>> > evening.<br>> ><br>> > I love simple, but different choreography, so I am open to most suggestions.<br>> ><br>> > Rich Sbardella<br>> <br>> My two favorites for teaching the whole hey to new dancers are <br>> Flirtation Reel (Tony Parkes) and Carousel (Tom Hinds). In both cases, <br>> you start and end the hey in the same place, facing the same person <br>> (neighbor and partner, respectively), then go into a swing with them (by <br>> way of a gypsy or balance). In Butter, you come out of the hey into the <br>> progression, which is slightly less easy.<br>> <br>> Kalia<br>> _______________________________________________<br>> Callers mailing list<br>> Callers@lists.sharedweight.net<br>> http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net<br></div> </div></body>
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