<html><head></head><body><div style="color:#000; background-color:#fff; font-family:Courier New, courier, monaco, monospace, sans-serif;font-size:14px"><div id="yui_3_16_0_1_1444955668218_11361"><span id="yui_3_16_0_1_1444955668218_11407">Okay, I agree, so the next thought is - how long do dancers in shorter lines WANT to dance. Up and down to the beginning place? Normally this isn't appreciated. But in a shorter line, do they want to continue and it doesn't matter? I know as a dancer I don't want the dance to go "too" long. But in a short line would I appreciate dancing longer regardless of whether I go through the line twice?</span></div><div id="yui_3_16_0_1_1444955668218_11361"><span><br></span></div><div id="yui_3_16_0_1_1444955668218_11361"><span>l</span></div><div></div><div id="yui_3_16_0_1_1444955668218_11360"> </div><div class="signature" id="yui_3_16_0_1_1444955668218_11359">~ When I dance, I cannot judge, I cannot hate, I cannot separate myself from life. I can only be joyful and whole, that is why I dance. ~Hans Bos~ ~</div> <br><div class="qtdSeparateBR"><br><br></div><div class="yahoo_quoted" style="display: block;"> <div style="font-family: Courier New, courier, monaco, monospace, sans-serif; font-size: 14px;"> <div style="font-family: HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif; font-size: 16px;"> <div dir="ltr"> <font size="2" face="Arial"> On Thursday, October 15, 2015 10:21 PM, David Harding via Callers <callers@lists.sharedweight.net> wrote:<br> </font> </div> <blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; margin-top: 5px; padding-left: 5px;"> <br><br> <div class="y_msg_container"><div id="yiv7097595264"><div>
I'll make the suggestion that you be very careful about any dances
you want to call that involve traveling outside the foursome. Those
dances often introduce end effects that can ripple one or two
foursomes into the set from each end, so with only 5 or 6 foursomes,
the whole line is confused.<br clear="none">
<br clear="none">
Also, any dance with double progression will leave the dancers
feeling that they are bouncing off the ends of the line and being
really limited in who they dance with. <br clear="none">
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Other than those issues, I agree with Jack that most dances should
work fine. <br clear="none">
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David<br clear="none">
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<div class="yiv7097595264yqt9317966065" id="yiv7097595264yqt92996"><div class="yiv7097595264moz-cite-prefix">On 10/15/2015 6:43 PM, Laur via Callers
wrote:<br clear="none">
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<div style="color:#000;background-color:#fff;font-family:Courier New, courier, monaco, monospace, sans-serif;font-size:14px;">
<div id="yiv7097595264yui_3_16_0_1_1444952160281_2566"><span id="yiv7097595264yui_3_16_0_1_1444952160281_2708">Fellow callers, what
are things to look for in dances for a short line. I'm
afraid that a limited number of dancers will be at an
upcoming gig and I want to be prepared in the best possible
way, and so am looking for input and for confirmation of my
thoughts. They are intermediate/ experienced dancers. </span></div>
<div id="yiv7097595264yui_3_16_0_1_1444952160281_2566"><span><br clear="none">
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<div id="yiv7097595264yui_3_16_0_1_1444952160281_2566"><span>Laurie P</span></div>
<div id="yiv7097595264yui_3_16_0_1_1444952160281_2566"><span>West MI</span></div>
<div id="yiv7097595264yui_3_16_0_1_1444952160281_2576"> </div>
<div class="yiv7097595264signature" id="yiv7097595264yui_3_16_0_1_1444952160281_2547">~
When I dance, I cannot judge, I cannot hate, I cannot separate
myself from life. I can only be joyful and whole, that is why
I dance. ~Hans Bos~ ~</div>
</div>
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