<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div>Ron et al,</div><div><div><span style="background-color: rgba(255, 255, 255, 0);">In general, I really like this dance. That loop right will snag people at least a few times through though, in that it will make them want to gypsy L with the next, continuing the weave, when they need to make it feel like a pass through so their body flow can take them into a R gypsy. It might be worth pointing that out, or teaching them to finish the half hey face N, pass through R Sh . Just a thought.</span></div><div><span style="background-color: rgba(255, 255, 255, 0);">Andrea</span><br></div><br>Sent from my iOnlypretendtomultitask</div><div><br>On Sep 14, 2015, at 12:05 PM, Ron Blechner via Callers <<a href="mailto:callers@lists.sharedweight.net">callers@lists.sharedweight.net</a>> wrote:<br><br></div><blockquote type="cite"><div><p dir="ltr">Hi callers,</p>
<p dir="ltr">I was hoping this dance, or something very similar, might be identified:</p>
<p dir="ltr">Becket<br>
A1: Gents Alle L 1.5 (8)<br>
1/2 Hey (8) (NR, LL, PR, GL)<br>
A2: N Gypsy R 1/2 (2)* (to face next N)<br>
Next N Gypsy + Sw (14)<br>
B1: Mad Robin (8)**<br>
1/2 Hey (8) (GL, PR, LL, NR)<br>
B2: Gents Pass L (2)<br>
P Gypsy + Swing (14)</p>
<p dir="ltr">* Been debating teaching / calling this as a gypsy or "loop right". I think either works, but ideas welcome.<br>
** Gents in front, CW</p>
<p dir="ltr">Thanks,<br>
Ron</p>
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