[Callers] Leading a 1 hr contra dance

[Mac Mckeever]

 Here is a contra I  have had success with new dancers - but only if they are doing really well on the other stuff - otherwise I avoid contras.
A1 - Cir L - dosido neighborA2 ladies dosido, gents dosidoB1 Long Liine for & back - 1s swing in centerB2 Down hall line of 4 - don't let go - back up -  centers  (1s) arch - shoot 2s thru to new neighbors
They really need to understand 1s & 2s and when t change and how to wait out at the ends
With new dancers I only let them go down the hall 4 counts, back up 4 counts - then they have 8 counts to get the progression and get a new circle formed.  Not how I would call it with experienced dancers.
Mac McKeever
    On Friday, March 29, 2019, 12:53:24 PM CDT, Bree Kalb via Callers <callers at lists.sharedweight.net> wrote:  
 
 Do Si Three by Linda Leslie is another excellent dance for newbies. It has progression and swings (I encourage elbow swings) and it doesn't matter a bit where one ends up. It's always been a great success when I've called it.

On Fri, Mar 29, 2019 at 11:02 AM Rich Sbardella via Callers <callers at lists.sharedweight.net> wrote:

Casey,
In a one hour gig with lots of newbies, I would suggest not using any progressive contras.  There are too many fun dances that usr similar basics without the complication of progression.  I have been hired to call such contra dances, but found the most success calling dances likes "Rakes of Mallow", La Bastringue, Rural Felicity, Heel & Toe Polka, etc.  Few people in the crowd understand what a "modern" contra dance is, they just want to move to the music.
Goodluck,Rich SbardellaStafford, CT
On Fri, Mar 29, 2019 at 10:05 AM Casey Carr via Callers <callers at lists.sharedweight.net> wrote:

  I would also start with a circle - teach giving weight, hand holds, 8 counts.  Might teach La Bastringue (keeping partners and 2 hand turn instead of swing).   I would definitely not teach swings in an hour - no ladies chains.   Just circles, stars, allemandes, dos si dos. 
  Depending on the crowd could start with Gallopede or Virginia Reel, then Family Contra would be perfect and end with another simple contra. 
  
  Casey Carr
  
  On 3/29/2019 8:52 AM, Liz Burkhart via Callers wrote:
  
 I have a gig coming up at a library wherein I have one hour to teach and call contra dances. It's a mixed crowd, and I heard there may be a lot of tweens present. I think I'd like to focus on bigger picture things - moving up and down the line, swinging, interacting with their set. I imagine I may even cut out courtesy turns in order to minimize the time we spend on the lesson. I've taught for small, mostly inexperienced crowds before but I usually have a lot more time. I'd really rather get them moving than to get bogged down in teaching. Does anyone have insight, suggestions, or advice? 
 
 Thanks,
 
 Liz Burkhart 
  _______________________________________________
List Name:  Callers mailing list
List Address:  Callers at lists.sharedweight.net
Archives:  https://www.mail-archive.com/callers@lists.sharedweight.net/
 
 

 
 _______________________________________________
List Name:  Callers mailing list
List Address:  Callers at lists.sharedweight.net
Archives:  https://www.mail-archive.com/callers@lists.sharedweight.net/

_______________________________________________
List Name:  Callers mailing list
List Address:  Callers at lists.sharedweight.net
Archives:  https://www.mail-archive.com/callers@lists.sharedweight.net/

_______________________________________________
List Name:  Callers mailing list
List Address:  Callers at lists.sharedweight.net
Archives:  https://www.mail-archive.com/callers@lists.sharedweight.net/
  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.sharedweight.net/pipermail/callers-sharedweight.net/attachments/20190329/3822ff6d/attachment.html>