[Callers] Teaching a Ricochet Hey
twirly-girl at bellsouth.net
Tue Dec 7 15:09:34 PST 2010
I teach a ricochet hey like a slice of pizza. You go in up the side of
the slice, angle back out down the other side of the slice, and curve
back to place along the crust. The other dancers dance the crust first
then either cross, or in a double ricochet hey, go into the center and
back out along the sides of the slice of pizza. Worked when I taught my
dance, Mambo, to my skit cast for West Side Contra. I wrote a move
which I believe is novel, which I called a Half Ricochet Allemande Hey.
It actually returns all participants to their original places, which are
already progressed, but gets them moving in the right direction. In it,
the ladies travel the pizza slice as described above, but the gents, who
are across the set from their partners, travel the crust first, and
instead of passing by the right to cross over, continue the circle they
began by allemande-ing back to place and on to meet their new neighbor.
It has a beautiful flow, the circle folding in on itself like waves
tumbling over one another in the ocean. Here is the dance, not as we
danced it in the skit, which we had to do shifted forward a half phrase
to accommodate the hits in the music, but as you would teach it to a
hall of dancers, but probably not one full of newbies. :-)
A1 Partners face and Mad Robin
Circle L 1x
A2 Balance the ring, Spin R 1 place (Petronella)
B1 R & L Through
B2 1/2 Ricochet Allemande Hey [OR California Roll] *See below
New Nbr. Gypsy
*In a 1/2 Ricochet Allemande Hey, the Ladies, who are coming out of the
Courtesy Turn following the Ladies Chain, go into the center, ricochet
(push one another back and to the left.) They arrive at their Nbr's
place turn and curve out and towards their starting place, then beyond
for the gypsy. The Gents curve back and to the right then into the
center for an Allemande L (some would call it a 1/2, some 3/4, I say
till they are back where they began the 'Hey'), and continue past the
starting place to Gypsy a New Nbr. to Gypsy. It isn't exactly a Hey,
though that's where I started with the move. It does have a nice
folding quality to it and spits everyone out moving toward the New Nbr.
I think of the Ladies as doing a slice of pizza, making the tasty point
first, ending with the crust, while the Gents do a whole pie, starting
with the same bit of crust the Ladies will later do. Tasty for all.
To do the California Roll in this dance: when the Ladies come out of
said Courtesy Turn, all free up their hands and face into their original
hands four as they would if they circled, with Partners standing across
the set. Partners take the handy hand, which is the Lady's R, the
Gent's L, lift joined hands, the lady curls in toward her partner and
walks under while he walks past, to swap, reverse direction, and face
New Nbrs. Not yet proper, they immediately do a Roll Away with a Half
Sashay to swap places but continue to face the New Neighbors, whom they
might then Gypsy. I used the move to end the dance. It gives very
elastic and satisfying connection with the partner for such a purpose,
but could also function as a perfectly good progression. It is less
good in that capacity for this dance because the first New Nbr.
interaction is a forward moving one. It might be more properly termed a
Nevada Roll due to the starting positions, but who can resist something
as funny and catchy as a California Roll?
On 12/7/2010 4:32 PM, Martha Edwards wrote:
> I find that if it's a regular hey (ladies start by the right shoulder) a
> ricochet hey feels a bit like a reverse Mad Robin - walking a sort of dosido
> track while facing across - adding, of course, the push-off...
> On Tue, Dec 7, 2010 at 11:43 AM, John Sweeney<info at contrafusion.co.uk>wrote:
>> The key thing for the caller to understand is that when the two dancers
>> ricochet they take each other's place in the hey, and are now going
>> This means that they must NOT just bounce back the way they came, or to
>> a neutral position on their own side - they have to follow the looping
>> flow of the hey.
>> I never actually explain that though. I just tell them to bounce back
>> at the opposite angle to the way they came in. Describing it as a
>> triangle usually helps. And one quick demo usually solves 90% of the
>> The other 10% of the problems come from people who bounce back and then
>> stop! They are still part of the hey and have to keep moving.
>> So instructions like these sometimes work: "As you come to the middle
>> you will meet someone on a diagonal; bounce off that person and head
>> backwards on the other diagonal, then move left* and come in again; you
>> are going around the same triangle over and over again."
>> *or right, depends on the dance.
>> Note: As you bounce you change direction by just under 90 degrees, it is
>> very easy to let that rotation continue and throw a couple of spins in
>> Happy dancing,
>> John Sweeney, Dancer, England john at modernjive.com 01233 625 362&
>> 07802 940 574
>> http://www.modernjive.com for Modern Jive Events, Instructional DVDs and
>> Interactive Maps
>> http://www.contrafusion.co.uk for Contra Dancing in Kent
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